Ana Elsner pays tribute to the Oboe

OBOE

The unhurried echo

of an oboe,

attuned femaleness

of sound,

contains me.


Chromosomes of Woman,

bestowed on me

in my wombed beginning,

make me

a sounding reed,

like the oboe.


Chromosomes of Woman,

my manifest prerogative,

make me

subject to no restrictions

of scale.


Like the oboe

I am the unhurried echo

of female sovereignty

trailing

the wind.


© Ana Elsner

From 'CIPHERS OF UNCOMMON ORIGIN -Poems by Ana Elsner'.

Reprinted by permission

Read other poems by Ana Elsner

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Ana Elsner speaks about The Arts

In a recent interview about the arts,
poet Ana Elsner said,



"It seems to be part of human nature to be single-minded. Art lovers go to exhibitions, music lovers go to concerts and poetry lovers go to readings. There is not enough cross-traffic.

I wanted to change that, if only for one night. So I choreographed a dialogue between a musical instrument and my poetry. I chose the oboe as my preferred partner and was most grateful when principal oboist Laura Griffiths of the San Francisco Opera Orchestra agreed to participate.

It was very exciting to design a program where my poems alternate with the oboe, in order to demonstrate the connection between the two. I called this project "The Sounding Reed", with a double meaning of (a) the actual reed of the instrument and (b) the 'reeds' of the human vocal chords. My concept was very well received by Robert Carlson of the San Francisco Public Library. He hosted it on June 12, 2007.

Having set the stage, I read in front of a combined audience of both music and poetry lovers and thereby made this cross-traffic happen. The evening was a big success and garnered excellent reviews."

Click to see Ana Elsner's event listing at The Academy of American Poets

--- See also: Ana Elsner's German Language Poems

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"Without poets, without artists, men would soon weary of nature's monotony. The sublime idea men have of the universe would collapse with dizzying speed... There would be no seasons, no civilization, no thought, no humanity...,"

Guillaume Apollinaire (1880-1918) was a poet, writer, and art critic. The foremost French poet of the early 20th century, he is credited with coining the word surrealism and writing one of the earliest works described as surrealist, the play Les Mamelles de Tirsias (1917).

Related topic: Why Poetry?

Applause for the Oboe

When asked about her favorite musical instrument, poet and classical music aficionado Ana Elsner said,



"Without a doubt, the instrument that speaks to me most is the oboe. Although sometimes overshadowed by other woodwinds, not to mention the testosterone-laden brass, I perceive the oboe as being a full-bodied female voice. Perhaps this is due to its mezzo-soprano to soprano range. In fact, I have written a poem titled 'Oboe' which defines how I feel about it."



Later on in the conversation, Ana Elsner added,

"My favorite oboist, these days, is Ms. Laura Griffiths of the San Francisco Opera and Ballet Orchestra. Her lyrical tone quality and masterful vibrato distinguish her among the woodwinds, indeed, among the entire orchestra. Her soli simply shine. It is a treat to hear her play."

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