In a recent interview about the arts,
poet Ana Elsner said,
"It seems to be part of human nature to be single-minded. Art lovers go to exhibitions, music lovers go to concerts and poetry lovers go to readings. There is not enough cross-traffic.
I wanted to change that, if only for one night. So I choreographed a dialogue between a musical instrument and my poetry. I chose the oboe as my preferred partner and was most grateful when principal oboist Laura Griffiths of the San Francisco Opera Orchestra agreed to participate.
It was very exciting to design a program where my poems alternate with the oboe, in order to demonstrate the connection between the two. I called this project "The Sounding Reed", with a double meaning of (a) the actual reed of the instrument and (b) the 'reeds' of the human vocal chords. My concept was very well received by Robert Carlson of the San Francisco Public Library. He hosted it on June 12, 2007.
Having set the stage, I read in front of a combined audience of both music and poetry lovers and thereby made this cross-traffic happen. The evening was a big success and garnered excellent reviews."
--- See also: Ana Elsner's German Language Poems
"Without poets, without artists, men would soon weary of nature's monotony. The sublime idea men have of the universe would collapse with dizzying speed... There would be no seasons, no civilization, no thought, no humanity...,"
Guillaume Apollinaire (1880-1918) was a poet, writer, and art critic. The foremost French poet of the early 20th century, he is credited with coining the word surrealism and writing one of the earliest works described as surrealist, the play Les Mamelles de Tirsias (1917).
Related topic: Why Poetry?
Labels: Amalgamated Perspectives, Ana Elsner, Art, Guillaume Apollinaire, interview, library, moku, music, oboe, orchestra, poem, Poet, Poetry, Public, reading, San Francisco Public Library, Translation